導視設計的產生和發(fā)展與人類的生產活動緊密相關，同時又受到各個時代宗教、哲學等社會意識形態(tài)的直接影響。在人類還處于舊石器時代時，就出現了原始導視設計等。上海導視設計公司是一種相對永久性的藝術，傳統的觀念認為上海導視設計公司是靜態(tài)的、可視的、可觸的三維物體，通過上公司訴諸視覺的空間形象來反映現實，因而被認為是最典型的造型藝術、靜態(tài)藝術和空間藝術。

        隨著科學技術的發(fā)展和人們觀念的改變，在現代藝術中出現了反傳統的四維設計公司、五維上海導視公司、聲光上海導視公司、動態(tài)設計公司等。這是由于愛因斯坦的相對論的出現，沖破了由牛頓學說建立的世界觀，改變著人們的時空觀，使上海導視藝術從更高的層次上認識和表現世界，突破三維的、視覺的、靜態(tài)的形式，向多維的時空心態(tài)方面探索。

        上海導視公司的案例非常豐富,在導視設計業(yè),是獨領風騷,不拘一格.

        The production and development of guide design is closely related to human production activities, and at the same time is directly affected by social ideologies such as religion and philosophy in each era. When mankind was still in the Paleolithic Age, original guide design and so on appeared. Shanghai Daoshi Design Company is a relatively permanent art. The traditional concept believes that Shanghai Daoshi Design Company is a static, visible, and tangible three-dimensional object, which reflects reality through the use of visual spatial images. Therefore, it is considered to be the most typical plastic art, static art and space art.

        With the development of science and technology and the change of people's concepts, anti-traditional four-dimensional design companies, five-dimensional Shanghai guide companies, sound and light Shanghai guide companies, and dynamic design companies have appeared in modern art. This is due to the emergence of Einstein’s theory of relativity, breaking through the world view established by Newton’s theory and changing people’s view of time and space, enabling Shanghai Guide Art to understand and express the world from a higher level, breaking through the three-dimensional, visual, and The static form explores the multidimensional space-time mentality.

The case of Shanghai DVS is very rich. In DVS design industry, it is a leader and eclectic.